Premiere: Jeremy Olander – Galheera (Original Mix) by Deep House London

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“Gattaca” is available 13 October (beatport) on Vivrant

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018 BHKW.FM invites Tontario by KLANGWELT // BACK HOME

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We discovered Tontario for the first time with his appearance as remixer for Olafur Arnalds & directly clicked with his sound and later heard podcasts. There was an imediate connection to his music and what Klangwelt and our show BHKW.FM stands for. Enjoy his mixtape he did exclusively for us giving us the feeling of beeing on a trip through the nature of scandinavia.

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BIO

“Tontario, real name Tony Lagerstrom, is a promising new face on the international electronic music scene. Currently signed to the acclaimed British label Anjunadeep and the publishing powerhouse of Cloud 9 Holland, you can be sure to hear a lot more about this young prodigy in the future.

Inspired by the captivating yet vulnerable beauty of the Scandinavian nature, Tontario is a big fan of ambient soundscapes, crispy textures and wide range of foley sounds. Tontarioís emotional, melodic and ever so cinematic sound will take you on a journey like no other.”

Premiere: Cristoph & Jeremy Olander ‘Last Dance’ by Mixmag

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Out on May 15 and debuting on John Digweed’s hallowed Bedrock label, the lead track of the two arrives today on ?Mixmag?. ‘Last Dance’ is a remarkable showcase of the kind of mature and layered sound that Olander and Cristoph are able to create together. It’s easily a memorable finale tune, accompanied by a soulful vocal and a lingering, emotive feel.

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Premiere: Sailor & I ‘Turn Around’ (Âme Remix) by Mixmag

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Another exclusive courtesy of mixmag.net

The ‘Turn Around’ EP is one that’s been in the works for some time and its accompanying remix is one of the most anticipated tracks of 2014. If you’ve been to see the likes of Dixon, Mano Le Tough, Solomun, Maceo Plex or Tale Of Us recently then you will have heard it, loved it, and wanted it.

The mesmerising Âme remix has been gliding its way round sound systems across the globe since the start of the year and it’s no surprise as to why. The perfect end of set track, it enchants its way through eight minutes of euphoric vocals, grand synths, astounding builds and simply gorgeous drops.

We reckon its one of the best tracks of the year and you can listen to it for the first time in full.

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